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Sienna Miller

Posted by febry on 12:12 PM

Sienna Miller

Sienna Rose Milleris an American, she was born on December28,1981, she is an Actress and model.


She moved to England as a child and attended the Heathfield school in Ascot, Berkshire and later studied for a year at the Lee Strasberg Institute with luminaries like Will Lee and Koni Summer in New York City.


Miller was born to hippie parents. Her father, Edward Miller, is an American banker born in Meadville, Pennsylvania. Her mother, Jo Miller, is a South African who ran Lee Strasberg's acting academy in London. Her parents parted when she was six years old, and her father subsequently married (and later separated from) the English interior designer Kelly Hoppen. Miller has one sister, Savannah, who is a fashion designer; two half-brothers, Charles and Steven, and one former step-sister, Natasha (daughter of Hoppen).




Prior to her professional acting career, Miller worked as a photographic model. Following her appearance at the
Glastonbury Festival in 2004, she was credited by many with having popularised the fashion style of boho-chic in Britain. Miller currently models for Pepe Jeans, and she posed for Vanity Fair magazine's 2006 Hollywood Issue topless and smoking a cigarette.


She had a recurring role in the television series
Keen Eddie. Miller appeared in supporting roles in the 2004 remake of the 1966 movie Alfie as well as in Layer Cake (2004). She played the female lead opposite Heath Ledger in the period drama, Casanova (2005).



Miller's relationship with
Jude Law has been frequently featured in the entertainment press. On Christmas Day of 2004, they became engaged. However, on July 18, 2005, Law issued a public apology to her for having an affair with Daisy Wright, the nanny of his children, by his former wife, actress Sadie Frost. At the same time, Miller was rumored to be having an affair with Law's friend, Daniel Craig. Despite attempting to salvage their relationship, Miller and Law separated. They reunited briefly in 2006, before again separating.

In January of 2007, Miller was spotted being taken to her hotel in the early morning hours by P. Diddy after a night of partying. She was rumored to be in a relationship with Hayden Christensen, with whom she starred in Factory Girl. She recently confessed that she lost her virginity when she was 16.

Romantic - About Kissing

Posted by febry on 11:10 AM

A man snatches the first kiss, pleads for the second, demands the third, takes the fourth, accepts the fifth ... and endures all the rest.


Any man who can drive safely while kissing a pretty girl is simply not giving the kiss the attention it deserves.

Some women blush when they are kissed, some call for the police, some swear, some bite. But the worst are those who laugh.

It's impossible to kiss someone unexpectedly - only sooner than you thought. A kiss can be a comma, a question mark or an exclamation point. That's the basic spelling that every woman ought to know.

Be plain in dress, and sober in your diet; In short, my deary, kiss me, and be quiet.


What of soul was left, I wonder, when the kissing had to stop?

Kisses are a better fate than wisdom.

We turned on one another deep, drowned gazes, and exchanged a kiss that reduced my bones to rubber and my brain to gruel.

I kissed her hard and held her tight and tried to open her lips; they were closed tight.

A kiss can be a comma, a question mark or an exclamation point.

Why does a man take it for granted that a girl who flirts with him wants him to kiss her--when, nine times out of ten, she only wants him to want to kiss her?


A kiss can beautify souls hearts and thoughts.

A kiss makes the heart young again and wipes out the years.

New Titanic

Posted by febry on 1:16 PM

New Titanic













Nice Sceneries Wallpapers

Posted by febry on 1:01 PM

Nice Sceneries Wallpapers













The Fool Killer, or, Darwin’s Revenge

Posted by febry on 11:28 AM

By Mitchell

It “looked like Nut City. … It was the kind of crowd that would have made the Fool Killer lower his club and shake his head and walk away, frustrated by the magnitude of the opportunity.”

Tom Wolfe, The Right Stuff

“Refusal to face the Verities, though not without immediate satisfactions, carries penalties. There’s a Fool Killer, personifying the ancient principle; whom the gods would destroy, in this world; and he has a list; and that’s a good way to put yourself on it. Then, the question’s just one of time, of how soon he’ll get around to you.”

James Gould Cozzens, By Love Posessed

****

How many times has it happened to you? You’re cruising around on the Internet, minding your own business, clicking on a few links here and there, when wham! You’re hit with it right between the eyes, no way to avoid it, and before you’re quite aware of what’s happened you’ve been sucked into its vortex, with no way of escape, succumbing to its temptations and its subtle whispers, powerless to prevent it, lured into the proximate cause of sin.

I’m talking, of course, about . . . the blogosphere. The troubling thing is I’m specifically talking about the Catholic blogosphere.

At the beginning of Lent there was an article at The New Liturgical Movement (one of the best Catholic blogs out there, by the way; their level of discourse in the combox is particularly of high quality) entitled “Should Catholics Blog?” that I’d meant to comment on at the time. Obviously I disagree with the conclusion of the author of the article that NLM links to, but I think he raises some points that can’t be ignored. The threats to Catholic bloggers and commenters, according to R.J. Stove, are as follows:

  • Addiction, with all its dangers;
  • Pseudonymity, with all its dangers;
  • Encouraging smart-aleck soundbites rather than hard, detailed, historically scrupulous reasoning;
  • Related to (iii), a general degrading of language, and of the writer’s role as language’s custodian (not to say as breadwinner);
  • De facto anticlericalism.

I’m not going to deal with Stove’s article per se, except as a reference point for the discussion that follows. Because it seems undeniable that these five points (or corruptions, as Stove calls them) have imbedded themselves deeply in all parts of the blogosphere (particularly points three and four), including Catholic ones.

There are many good Catholic blogs out there. Stella Borealis is one, or else I wouldn’t be writing here. My cohorts at this site all manage top-quality blogs. And the ones we link to at Our Word are, by and large, of high quality. So this isn’t meant to sound like a rant from some prim scold. Lord knows, we have as much of an edge here as anyone. No, it’s more musings born of fatigue, of the weariness that results from frustration, from being boxed in on all sides. And there seems an unfairness about it somehow, that a few are ruining it for the many. It’s no secret that the blogosphere has been getting rougher and rougher, more uncivil, cruder, less restrained. And once something like this starts it’s hard to rein it in. Nastiness begets nastiness, and then where are you?

It’s getting to where you just don’t know where to turn anymore. Your senses are assaulted, your intellect violated; and, like the Fool Killer, you’re overwhelmed by the magnitude of it all. Everywhere you look the bickering is going on, about the liturgy, about the Pope, about politics, about the war. Especially about the war.

Anyone who cruises through the blogosphere is confronted with the diverging viewpoints on the war. Some say it’s clearly an unjust war, while others believe it is a war necessary to preserve the United States. All well and good. Disagreement is nothing new, and it’s often quite productive. There’s nothing worse than a leader surrounded by yes-men (or –women), as we know (and quite possibly are witnessing in Washington right now).

What disturbs me particularly is not the disagreement about the war – after all, if something’s not set in stone I’m often willing to believe there might be two sides to the story, two ways of interpreting it. We used to call this an “Honest Difference of Opinion,” and one of these days you’re going to have to look that term up in Wikipedia, because it doesn’t seem to happen very much anymore today. Is it possible to have an honest difference of opinion on this kind of issue, even if it turns out that one party is truly, if sincerely, mistaken?

The debate about the war is particularly nasty because it cuts to the bone. Whatever your opinion of the war is, those who disagree with it are prepared to charge you not only with being wrong, but in many cases with possessing a completely incorrect understanding of Catholic thinking, being an intellectual dullard, having your priorities confused, or even being a traitor. Your soul, it goes without saying, is in mortal peril.

Fr. Richard John Neuhaus says in the current issue of First Things that “Such rhetoric is employed by those who accuse opponents of the war of being unpatriotic and, much more commonly and stridently, or so it seems to me, by those who declare U.S. policy to be unjust, wrongheaded, or even criminal.” Because of his stand on the war (he’s a supporter), he is, of course, discredited in anything he says about it by those who disagree with him.

As I’ve made clear in the past, I have my own opinions about the war, and my “personal convictions”, as Dr. Lyman Hall says in 1776, are “personal.” But Fr. Neuhaus says those who oppose the war appear to be the more strident in their arguments, and it seems that way to me as well. People, especially those who oppose the war, seem totally unwilling to acknowledge that there just might be validity lurking somewhere in the depths of their adversary’s position. To them it is inconceivable that there could possibly be any interpretation of Church teaching other than the one they happen to be propounding. Now, perhaps Church teaching on this point is definitive, perhaps it isn’t. To me it doesn’t seem to be quite as clear cut as, say, the Resurrection. But these people just refuse to believe it’s a possibility. And they’ll tell you that in the frankest terms possible.

You know what? If these people were truly interested in laying out their opposition to the war with the hope of converting the hearts and minds of others (which, if they’re truly acting out of Christian principle, should be at least one of their goals), they’d be well-advised to do it in such a way as to avoid accusing those with whom they disagree of being puppets of the Republican Party, Americans first and Catholics second, or (my favorite of all) simply idiots. That kind of confrontational rhetoric doesn’t usually cut it with most people. (Unless, of course, you’re more interested in listening to the sound of your own voice than you are making a convincing argument. And heaven forbid that I should make any suggestion like that!)

Now, that’s not to say that these rhetorical judgments aren’t accurate at least some, if not most, of the time. But do we really get anywhere by casting them around? Likewise for those who accuse the anti-war faction of anti-Americanism, of wanting to see the country punished. Doubtless there are many, if not most, who feel to one extent or another that the country does deserve everything it gets, but it’s an indelicate situation at best.

What is missing from both sides is this willingness to engage in constructive conversation. I’ve often said that spirited political discussion should be like flirting, with all the joys, mysteries, tension and frustration that accompany it. Foremost, it should be fun. But I see precious little fun out there, not when so much of it seems to be concentrated on inflicting pain and scorn on someone else.

What is most interesting about this phenomenon is the breathtaking arrogance on display, the absolute certainty of right and wrong that so often accompanies these expressions, often with little if any regard for civility. It goes far beyond the normal desire to assert a total understanding of the truth, to an area which requires that the opponent be held up to maximum scorn, personal attack, and embarrassment (if possible).

Take, for example, the recent blow-up surrounding Sean Hannity. Hannity’s in hot water with a lot of conservatives over his intemperate comments to a priest a couple of weeks ago. Not only intemperate, but factually ignorant. Not only factually ignorant, but designed to ignite, inflame, provoke. In other words, his usual shtick. Now, you’re not going to see any love letters to Sean Hannity from me. He may have his fans out there, but I’m not one of them. Nonetheless, it was amusing to see the vitriol that was being expended against him in the blogosphere. From a purely emotional standpoint, a lot of it was extremely satisfying. But like many of the best things in life – fame, food, sex – it also left one with that empty feeling afterwards.

One of Hannity’s gravest offenses, according to the blog comboxes, was his lack of respect toward his priest-adversary. Go to the videotape – the accusations are pretty tough to deny. And, of course, you don’t look to these televised shout-fests expecting to see much respect passed between the debated parties. But, when you look at the blogs, more likely than not, you’ll come across a piece about Cardinal Mahony of Los Angeles, the über-liberal of the American Catholic Church, and likely as not you’re going to read comments about Mahony that are probably harsher than those Hannity used. They even use the “H-Word": Heretic. Again, this isn’t an opinion that I’d particularly disagree with – personally, I think Cardinal Mahony’s actions are often, how should we put it, suspect? But you can’t help noticing the irony in it all, because many of these commentators share the same conservative outlook as those who rip Hannity for doing the same thing – dissing a priest.

This isn’t meant to single out the Hannity story – it’s only one example of thousands out there that make up the modern blogosphere. You’d think the Catholic blogs would be less susceptible to this kind of behavior, but you’d be wrong. Not that there’s more of it than anywhere else; perhaps it’s just more scandalous. Whether talking about the liturgy, theology, what have you. Sometimes the priests get on line and they fight back. The whole thing makes for a faintly distasteful sensation, as if you’re looking for someone to try and remain above it all.

There are blogs out there that we don’t link to anymore, because of the lack of civility in posts and comboxes. (There’s even been the odd bit of profanity, which it seems to me is not a good thing for a religious blog.) There are blogs we’d like to link to, ones we agree with on a broad range of philosophical or political issues, but we just can’t bring ourselves to do it, because they’re just too much.

It’s all too much, really. It’s so easy, it’s almost laughable. You could start a drinking game just based on the first few words in the combox, especially the ubiquitous “Um…” (a word banned from this site, by the way). Nine, or perhaps nine and a half, times out of ten, “Um” serves as a preface to some kind of snarky correction.

Now although we’ve spent most of this particular piece talking about Catholic blogs, I’m not by any means limiting the discussion to that. Look at the last week or so in the political blogosphere, and you’ll see some pretty nasty stuff about Tony Snow’s cancer, for example (at Wonkette, among others). We’ve spent the last month or so highlighting other examples of incivility, and those have only been the ones that captured our fancy. Invariably, when you start talking about things like this, someone’s going to come along and defend the right to say whatever’s on your mind – they’ll talk about concepts such as free speech, and they’re eventually going to work their way to how those who speak their mind (like Rosie O’Donnell, for example, or Ann Coulter) are demonstrating “courage.”

These people think that courage has everything to do with standing up and saying whatever you want, doing whatever you feel like doing, as long as it’s controversial and guaranteed to create a stir.

That’s not what courage is at all. Any fool can stand up and shoot his mouth off. It doesn’t take anything more taxing than the ability to speak, or use your fingers on a keyboard. Maybe a little technical know-how to set up a blog, but they’ve made that pretty much dummy-proof as well.

Courage doesn’t mean fearless. It means being able to overcome your fear, to go ahead with a principled course of action regardless of the consequences. A lot of true heroes, people who truly fit the profile of courage, admit to great fear. The difference is that their fear didn’t stop them from doing what they knew had to be done.

In that context, there’s nothing particularly courageous about getting on a blog and telling people what you really think about life, and about them. There’s nothing particularly courageous about getting on a TV panel and shouting at the top of your lungs, laying out the one and only version of the truth. There’s nothing particularly courageous about demonizing those who disagree with you, about cutting them to the quick with your catty comments, about preaching to the choir instead of trying to explain your viewpoint.

No, to be courageous is to put your opinions up for open debate, to open them to the possibility of civil disagreement, perhaps even correction. In some circumstances you may have to wait, even until after your death, to see them validated. It's about taking a chance with your opinions, rather than simply trying to steamroller people with them. That's real courage. That other stuff? It seems to me more like a waste of time and energy.

****

Relievedebtor at Architecture and Morality recently posed the question, “Is Our Lack of Manners a Return to Primitivism?” While some forms of etiquette (such as the curtsy) tend to give to the ruling classes a tacit authority for ruling, “Postmodernism has taught us to distrust authority, and consequently, it seems we distrust the rituals, however minor they may appear, that are complicit in such trust.”

Perhaps this is what it’s all about – distrust. We don’t trust the government anymore, which is probably a good thing. We don’t trust actors or athletes or other celebrities, which is definitely a good thing. Trust in church leaders has been damaged, in some cases and with some people beyond repair, which is sad more than anything else. But what is most damaging out of all of this is the lack of trust we have in our fellow man.

It’s one thing to be wary and prudent. However, to engage in dialogue (like so many other things) requires an element of trust. It’s like working a trapeze act. If you’re not sure your partner’s going to be where he’s supposed to be when you’ve finished that third somersault, you’re going to be hesitant, lacking confidence about the whole thing. Without that confidence in the merits of dialogue, is it so surprising that it so often resorts to defensive posturing and grand pronouncements?

Relievedebtor concludes, “To disregard manners is to disregard authority. To disregard authority is to lose self-governance. To lose self-governance is to begin the path to primitivism.”

The fear is that this is where we’ve arrived. We seem to be regressing into some kind of post-apocalyptic culture, a permanent Mad Max syndrome that has replaced manners with noise, thought with emotion, restraint with orgiastic expression, and respect with scorn. We’re producing an entire generation of intellectual knuckle-draggers, totally incapable of understanding concepts such as “good intentions,” utterly unwilling to engage in civil discussion on any kind of scale. If Darwin is in a place where he can appreciate it, he must be enjoying the irony of this de-evolution back to a primitive social state. Next thing you know, we’ll be replacing our keyboards with soup bones and clubbing it out in the public square. And we’ll be hard-pressed to call it “progress.”

Cross-Posted to Stella Borealis Catholic Roundtable

Throwing Out the First (Hair) Ball

Posted by febry on 5:38 AM

By Mitchell

With baseball season starting this weekend, it seems like a good time to dip into the archives with this 2005 piece about perhaps the greatest cat-baseball movie ever made, the 1951 classic Rhubarb.

*****

Based on the novel by H. Allen Smith (one of the finest humorists of his time), Rhubarb tells the story of a yellow ferel cat with a nasty disposition who's "adopted" by a wealthy businessman, T.J. Banner (Gene Lockhart, whom you might remember as the judge in Miracle on 34th Street). Banner, who's constantly surrounded by "yes" men, admires how the cat treats everyone with distain, rich and poor alike. This cat, he says, has spirit. He's a fighter, and if there's one thing T.J. Banner has always admired, it's a fighter. T.J.'s greedy daughter Myra thinks he's crazy, but his public relations man, Eric Yeager (Oscar-winner Ray Milland), affectionally tolerates the old man. It was Eric who was assigned to capture the cat from the golf course where he lived (stealing golf balls off the greens), and when Eric finally succeeds, he has the scratches to prove it.

Although Banner owns many successful businesses, his pride and joy is his baseball team, a bunch of losers named the Brooklyn Loons (read: Dodgers), managed by Len Sickles (William Frawley, Lockhart's political boss in Miracle on 34th Street). If only, Banner thinks, his team had the same fight his cat had, they might win for a change. After watching the cat trash his study, Banner decides to name him Rhubarb, after the term for a baseball imbroligio. (In one scene, trying to explain what the cat's name means, Eric explains: "Lady, you know what happens at a sale, when two women get hold of the same dress? THAT's a Rhubarb!")

After many years Banner dies and, to the amazement of his business associates and Myra (who has been fairly counting down the days to the old man's death), he leaves the balance of his estate, including the baseball team, to the only living thing that ever showed him trust and loyalty - Rhubarb. Realizing the limitations inherent in a cat running an empire, the will provides that Eric will act as Rhubarb's guardian. He's not sure at first, but when Myra attempts to murder Rhubarb, Eric remembers T.J.'s words that "if you're right, fight for it." Rhubarb's always been a fighter, which is what the old man loved about him, and Eric is determined to fight as well.

His biggest fight concerns the baseball team - the players, perhaps understandably, are reluctant to pay for a cat, even if he does own the team. Fans around the league meow at them, and an umpire even left a bowl of milk at home plate before the start of the game. The players are threatening to sit out the season and Eric, along with his fiancee Polly (Jan Sterling), manager Sickles' daughter, realize something has to be done. Eric convinces them that the miracle Boston Braves of 1914 - a team that rallied from last place on the 4th of July to win the World Series (true, by the way) - owed their success to a lucky yellow cat that served as their mascot, they start to have second thoughts. When the Loons' hitters come through in the clutch after having petted Rhubarb, the superstitious players become convinced: with Rhubarb on their side, they can do no wrong.

The Brooklyn team - now dubbed the "Rhubarbs" by the tabloids, with Rhubarb and Eric accompanying them to every game home and away - catches fire and wins the pennant. Now, they're prepared to face their archrivals, the New York club (read: Yankees) in the World Series. The entire city is electrified, and in the days leading up to the Series seemingly everyone in Brooklyn is placing bets on the Rhubarbs to win. The alarmed bookies calculate that if Brooklyn wins, there's no way they'll be able to cover their losses. Then one of them, Pencil Louie, strikes upon an idea - if something were to "happen" to the cat, it would almost certainly mean defeat for Brooklyn, and the bookies would save their skins.

Pencil Louie's first thought is simply to kill Rhubarb, but then he realizes there's money to be made - surely Myra would pay them to get rid of the cat. With Rhubarb thus out of the way, Myra gets her father's fortune, Brooklyn (and the people betting on them) loses, and the bookies get their necks out of the noose. In short order Rhubarb is catnapped, New York evens the series, and all of Brooklyn is in a panic. Eric and Polly launch a desperate search for the missing cat, even resorting to seeding the clouds with dry ice to cause a rainout that postpones Game 7 for another day.

In the end the good guys win, of course. Rhubarb is found, the bad guys are captured, and Brooklyn rallies to win the series. Eric and Polly marry, and Rhubarb is last seen with the female cat who's been sitting in the box behind Rhubarb with her lady owner throughout the season, trailing a litter of little kittens.

Rhubarb is a charming fantasy, featuring a top-notch performance by Milland (including a hilarious send-up of his drunk scene in The Lost Weekend), wild slapstick comedy, and Smith's satiric jabs at television and commercial sponsors (a pivotal moment in one game is interrupted for a "much more imporant" message from the ever-present Friendly Financial Company, whose commercials are ever-present during coverage of the games).

It tells of a time when baseball was an ingrained part of the American culture, when teams were part of the very fabric of the cities they played in (as the Dodgers were when they played in Brooklyn), and when the idea of a cat owner/mascot wasn't perhaps all that outrageous. And of course it's perfectly believeable that baseball players, a superstitious lot since the game began, would become convinced that petting a cat before going to bat would bring them good luck.
Best of all is Rhubarb himself - one source says fourteen cats were used to portray him, with the prime cat being a tiger named Orangey. His transformation from feral loner to tycoon to good-luck charm is the stuff dreams are made of.

Smith's original book spawned two sequels, neither matching the charm and outrageousness of Rhubarb. As both novel and movie, it is the essential baseball story - the tale of a team and its lucky cat.

What's In a Name?

Posted by febry on 4:57 AM

By Drew

Mitchell’s article last week about The Mikado brought to mind a number of connecting thoughts, or at least thoughts I'll try to connect.

According to my Dover edition of The Mikado, there are two lines that were altered in the 1940s “to avoid giving offense.” In one, during the “little list” song, Koko refers to “the nigger serenader and others of his race” (in reality, Gilbert was referring to blackface minstrels). In the “more humane Mikado” song in Act 2, there's a reference to one who is "blacked like a nigger" (same point of reference). Traditionally, these are now rendered as “the banjo serenader” and “painted with vigor,” respectively. (Interestingly enough, there is also a line early in Act 1, referring to Japan, stating “For where’er our country’s banner may be planted,/All other local banners are defied!” One wonders if this were considered offensive in the 1940s as well.)

It makes sense to change these lines, not only because they’re anachronistic, but because they have nothing to do with the general plot. They’re lines which simply give color to the songs (no pun intended) but don't affect the story.

Now, the reason I find this interesting is that last week there was this story about a parents’ group in St. Louis Park, Minnesota trying to get Mark Twain’s Huckleberry Finn removed from the high school’s required reading list because of repeated references to the “n-word,” which, because we’re all grown-ups at this blog, we can categorically state was “nigger.” Ken Gilbert, one of the parents pushing to have the book removed from the reading list (he was careful to point out that he’s not trying to ban the book), says use of the word should not be tolerated “in informal conversation or popular entertainment.” According to Gilbert, "There's no word that brings you to a lower level. ... It makes children feel less than equal in the classroom." Predictably, the whole thing has found itself if court, where so far the school district has been successful in keeping the book on the list.

A group of teachers, parents, administrators and community members examined Gilbert’s request and ruled in favor of the book, determining "the literary value of the book outweighed the negative aspect of the language employed."

This may be true as far as it goes, but it also misses the larger point. Twain’s greatness stems not merely from his literary prowess, but his ability to paint a historical picture of America and her people as they were at a given time. And in that period of time, “nigger” was a word that a whole lot of people used, many of them without prejudice. In our more enlightened times we can understand how offensive that is today, but that isn’t how people saw it at the time, and if we’re not going to engage in revisionist history (one of the liberals’ favorite techniques), we have to understand that we can’t use today’s standards to gauge yesterday’s behavior. It just doesn’t work.

Twain’s book is not just entertainment – it’s a historical document, a portrait of our heritage. Take away that aspect and you remove much of Twain’s significance – or any great artist, for that matter. Many’s the bad joke about the abstract painter who just “paints what he sees,” but nonetheless that’s an essential part of art – to hold a mirror to society and reflect it back.

Let’s consider more contemporary examples, starting with Norman Mailer’s World War II novel The Naked and the Dead. In that book, Mailer (at the behest of his publishers) used the euphemism "fug" in lieu of the f-bomb (hey, we may be adults here, but even we have our limits). The substitution has been a source of much humor over the years – it drew far more attention to the word, making it stand out, than would have been the case if Mailer’d simply used the f-word as it was.

Contrast that to a movie like The Departed (or almost any movie rated PG-13 or below), where you’re going to hear the f-bomb all over the place. The defense of the use of this word usually consists of something like, “this is the way people talk in real life,” which I can verify to be substantially accurate. Some of it is gratuitous, some the result of lazy writing. But there’s no doubt that, however distasteful, using the word in context serves a purpose. To have a gangster, in the heat of the moment, exclaim something like “darn” or “shoot” just wouldn’t be believable. The audience wouldn’t accept it, nor should they. And that’s just a part of life – you can hear language worse than that at any school playground.

Perhaps some time in the future we’ll have reached a point where words like that aren’t used in polite company anymore, but does that mean we’d be going back and changing movies like The Departed? Not if we’re smart, because in doing so we’ll be destroying that looking glass that shows they way we were at a given point in time. Whitewashing everything that’s gone before us, trying to protect people from seeing the truth as it was, is not only fruitless, it’s dangerous. It doesn’t give us real life at all, just some sugarcoated fairytale impression of life. It prepares our young people poorly for facing a world that isn’t nearly as genteel as we’d like to pretend it is, and it makes a joke out of the idea that we can prevent the errors of the past by learning from them.

To wrap this up, let’s take a look at a discussion last week over at Amy Welborn’s blog about Shakespeare’s The Merchant of Venice. In this case the controversy is not over racism, but anti-Semitism (which, I suppose, is a form of racism, but of a different kind). Is Shylock, as portrayed by Shakespeare, an example or an indictment of anti-Semitism? As one of Amy's commentators pointed out,

[Isaac] Asimov argues that as offensive as we might find this, it simply isn't "antisemitic" in any modern sense of the term, because for Shakespeare and his audience, Shylock was simply a *literary* stereotype, not a jab at anyone whom they expected ever to meet in real life. In other words, the "Jew" was a stock villain for literary and dramatic purposes, the same way the "Soviet agent" or "Commie spy" was a stock villain in so many Cold War-era movies and novels.

Another commentator, friend of this blog Tim Ferguson, mentions “If it makes us uncomfortable, then that is a testament both to the realism of the play and also to the societal and individual growth we have undergone as we continue to digest the Gospel generation to generation.”

We should remember that the word “kike,” which is (rightly so) deeply offensive to Jews, was in fact coined by American Jews in the 19th century to refer to those Jews who had immigrated more recently than themselves and were less educated. Wikipedia says it was used with affection; other accounts I've seen suggest that it was a somewhat derisive term, meant to draw a distinction between the Americanized Jews and the less-assimilated newcomers, whom they would try to help out.

The point here is that words mean things, particularly in specific contexts. To try and separate that word from its original context is not only wrong, it's intellectually lazy. As I pointed out in my Leni Riefenstahl piece last year, one must have the ability to separate the morals of the artist from the morals of the art. In the same sense, one must take works like Huckleberry Finn and view them not with contemporary values but as living witnesses to a time past. That's what makes them timeless - Huckleberry Finn tells it like it was; maybe we wish it hadn't been that way, but there it is. The inability to understand this - make that the refusal to understand it - shows that we are still a young, and immature, country.

Lay Off the Political Commentary in the Sports Page, Will Ya?

Posted by febry on 9:00 AM

By Mitchell

You know, I've about had it with sportswriters playing political pundit. First William K. Wolfram, and now William F. Reed at SI.com. (What is it with writers using "William" and a middle initial? On the other hand, where would that leave William F. Buckley, Jr.?) At any rate, in his story about Tubby Smith, the former Kentucky basketball coach (and first ever black basketball coach at Kentucky) who stepped down yesterday to take the job at Minnesota, Reed offered us the standard liberal analysis regarding Smith's long-standing troubles with many of Kentucky's basketball fans:

Of course, some racism also was involved. In the rural areas of the state, where poverty and ignorance have been chronic problems, Smith was never accepted because of his African-American heritage. This is a state, remember, where right-wing religious zealots dominate the debate over flag-burning, prayer in the classroom and same-sex marriage. Thankfully, however, such narrow-mindedness and intolerance no longer represents the majority.

Now, wait just a minute. There's probably little doubt that race played a role in the way people felt about Smith. But to take these three issues - legitimate political issues all - and lump them under the category of "narrow-mindedness" and "intolerance" - is, well, narrow-minded and intolerant. It might even be considered bigoted. Beyond that, it's not only a cartoonish understanding of conservative politics but a broadly charactured portrayal of religious conservatives in general.

Reed’s comments were gratuitous, adding nothing in the way of either news or insight to the story. They were a cheap shot to advance a political agenda in a story that had nothing to do with politics. Certainly Smith’s race played a role, and a historic one at that. But there is nothing in the content of Reed’s story to suggest that opposition to flag-burning, school prayer, and homosexual marriage had anything whatsoever to do with how fans felt about Smith.

Besides which, where does Reed get off, in what is ostensibly a sports story, taking the attitude that we should be thankful that issues such as flag-burning, school prayer and homosexual marriage don't represent the majority opinon? Has he been talking to the folks at the Harris and Zogby polls? Does he really have any idea how the majority of Americans feel about these issues, and why?

This isn’t the first time I’ve seen this kind of extra-curricular political commentary at Sports Illustrated. Back in the early 90s, one of their staff writers launched a potshot at the conservative student newspaper The Dartmouth Review for being racist, without bothering to check that its editor at the time, Kevin Pritchett, was black.

Where it gets interesting is that, when I checked back at si.com to provide the link to this post, I found that the story had been edited. The paragraph, in its entirety, now reads:

Of course, some racism also was involved. In the rural areas of the state, where poverty and ignorance have been chronic problems, Smith was never accepted because of his African-American heritage.

Interesting, huh? Here's the way the story now appears. To get the wording of the paragraph as it originally appeared, I offer a big H/T to Chris at Fifty One Outs, who read the same thing this morning that I did, but was smart enough to post on it right away.

And due credit to either Reed or (more likely) his editors at SI.com for coming to their senses and realizing that his ugly and biased comments had no place in a story, even an opinion piece, about Smith's history at Kentucky.

We've come to expect this kind of banal commentary - mischaracterizations, intellectual laziness, snide comments cloaked as "news" - from the front pages of the MSM. It's one reason why so many people are drive to the escapism of the sports page. Now, increasingly, you're not safe from it there, either. It goes to show, I suppose, that there's no sense in making distinctions when it comes to the MSM. Birds of a feather stick together.

Mikado es Sukado

Posted by febry on 2:38 PM

By Mitchell

The Mikado contains some of W.S. Gilbert’s wittiest, most clever lines, and some of Arthur Sullivan’s most operatic music. It’s one of the most popular, and most often performed, of the duo’s operettas, and it was the attraction Saturday night in a sly, witty, rambunctious production by the Gilbert and Sullivan Very Light Opera Company. The GSVLOC, as their name would suggest, has specialized in G&S for almost 30 years, with one featured production a year (and occasional performances at the Lake Harriet Bandshell).

It’s hard to really know how to review a community production like this. It’s not as if the reader is going to use this as a guide on how to spend his entertainment dollars. For one thing, the production only runs through April 1. For another, you’d have to travel to Minneapolis to see it. (It’s sold out anyway, in case you were interested, but there’s always standby).

However, assuming all that, there’s a lot to talk about with this production, the strongest we’ve seen from GSVLOC in several years.

First of all, a word about last year. You may recall that we had some problems with a director who seemed utterly committed to imprinting her chromosomes on a political interpretation of a contemporary political interpretation of Princess Ida, even (or especially) where none existed. But where we criticize, we also give credit when it’s due; and this year, happily, there was no such problem. In fact, Joseph Andrews, the director of this production, even expressed his own reservations about gimmicky stagings of classic productions. But how to keep it fresh? The end result, as Andrews put it, was to “remain true to the magic and merriment of the original production, but also offer the slightest hint of newness to the production for you, our loyal audience.” Considering what we’ve experienced over the years, this could have been a cause for some discreet concern, but Andrews was true to his word. The innovations were slight, consisting mostly of a play-within-a-play format, in reality the guise for a tribute to Warren Loud, the oldest member of the GSVLOC and a veteran of many a production, now confined to a wheelchair.

The show opened with a brief introductory piece, the story of an old man (Loud) preparing to move from his home, while the movers and his family bustled about. The movers were, of course, meant to suggest various characters in the operetta, while his three granddaughters were, naturally, the three young girls and the shrewish daughter turned out to be Katisha, the shrewish – well, more about that later. To pass the time, one of the girls (later seen as Yum Yum) puts on the record player a recording of one of the Old Man’s favorite pieces, The Mikado, and we hear a snippet of the actual recording of the overture, before the live orchestra (well-conducted by Roderick Phipps-Kettlewell) takes over. This set piece closed with a charming montage of pictures of Loud’s life, leading into the beginning of the show. And a crowd-pleasing show it was.

The evening (as well as the story itself) belonged to Peter Hedlesky as Ko-Ko, the Lord High Executioner. In a role that has been played by everyone from Tennessee Ernie Ford to Groucho Marx, Hedlesky pulled it off with a style that would have done Cyril Ritchard proud, a performance that managed at once to be arrogant, timid, mincing, sly, and altogether winning.

Since so much of the action swirls around Ko-Ko, it’s important for the success of the production to have someone who can pull it off. As the haughty government official, engaged to marry his ward Yum Yum, keeping her from her true love Nanki Poo, he should be the villain of the piece. Yet it’s obvious that Ko-Ko isn’t really bad – he’s an Executioner who can’t stomach the thought of killing anyone, a man who, when Nanki Poo boldly professes his love for Yum Yum, agrees – after all, it’s nice to have someone confirm his good taste! It is Ko-Ko to whom Gilbert has given many of the funniest lines, and if you don’t have an actor who can win the audience over, who can make them identify with instead of scorn him, those lines are going to fall flat. And he’s far too sympathetic to resent – even Nanki Poo, whom Ko-Ko has just sentenced to death (nothing personal you understand, just a legal arrangement) doesn’t hold it against him.

Ko-Ko’s partner in crime, as it were, is the impious Poo Bah, played with flair by John-Scott Moir. Poo Bah is every bit as arrogant as Ko-Ko should be, but masks it beneath a false humility of sorts, hilariously rationalizing his corruption by insisting that it offends his sensibilities and family honor to constantly have to wield power and accept bribes. Like Koko, his is bluster with no bite, a man who, in the all-too-familiar words of many a political operative, is “someone you can work with.”

Timothy James plays our hero, Nanki Poo, the lovelorn troubadour (second trombone) who in reality is the son of the imperial king, the Mikado. Last year in Princess Ida we thought he was perhaps a little light as far as the voice, with a sound more suited to musical theater than operetta. We still think so, but he’s so winning in his portrayal, making you root for him even though you know he’s going to get the girl in the end. Then there is his beloved Yum Yum, played capably by Sarah Wind. Yum Yum is a little of everything – vain, insecure, selfish, giving, despairing, delighting. In other words, the mass of contradictions that is typical of so many young girls. (I don’t believe Gilbert ever goes into detail on how old Yum Yum is supposed to be, but I’d guess she couldn’t be much over 20, if that.) Wind seems to capture these mood swings with the just the right combination of seriousness and absurdity that makes the role work.

The rest of the cast does equally well, particularly Lara Trujillo as Katisha, the jilted woman who was engaged to Nanki Poo and then lost him (and after meeting her, you’ll have no trouble understanding why the guise of a traveling troubadour seemed a preferable alternative for Nanki Poo) and has now come looking for him. This could be a standard Wicked Witch-type role, but Trujillo seems to find the humanity buried beneath the surface. And then there’s Christopher Michela’s Mikado, and I would swear that he was channeling The Great Gildersleeve, with his rolling eyes, mustache, and voice inflections (if you’ve ever seen a clip of the old Jack Benny program where Jack encounters a floorwalker in a department store, you’ll know exactly what I mean).

This was a Mikado for pop culture sensibilities, as evidenced by the Act 2 PowerPoint presentation used to show the inverse relationship between executions and the well-being of the people. It was perhaps a little over the top, but all in good fun, so we’ll give it a pass. Also requiring passes were the snide little jabs at the current administration in Washington that were slipped into the libretto (jokes based on current events being a trademark of G&S performances). We didn’t really mind Bill Frist being included as one of the names in “I’ve Got a Little List” (after all, how could you pass up the chance to rhyme “Frist” and “List”?) but including those who believed in Weapons of Mass Destruction as members of that list (which is a list of people that the world could do without) seemed to be pushing things a bit much. And then there was the slide in the PowerPoint that purported to show the number of people injured in hunting accidents with the Vice President, along with a reminder to “thank Dick and Lynne.” Really, what is it that makes these artist types assume that their audience is comprised exclusively of liberals? (On the other hand, after looking at the bumper stickers in the parking lot after the performance, it’s hard to blame them for coming to that conclusion.)

But these amount to mere quibbles. At any rate, those who were in attendance were witness to an evening of fun performed with a reckless abandon. It was the best G&S we’d seen in quite a while. And we left the theater with a smile, which for your entertainment dollar is not a bad exchange at all.

This Just In

Posted by febry on 12:36 PM

By Steve

Local Bus Accident Victim Tells St. Peter He Did Know What Hit Him

(St. Paul, MN) Melvin Upshack, 58, a local plumber and part-time bartender who died in a bus accident in downtown St. Paul, reportedly gave full details of the fatal accident to St. Peter upon entering eternity at approximately 3:47 p.m. last Friday afternoon.

"Oh, I knew what hit me alright," said Melvin "It was the Route 17 bus making a big right turn onto Wabasha. I was kind of not paying attention when I stepped off the curb, and there it was, bearing down on me like a big falling building. Before I could jump back, it hit me full force, crackin' my head open like an overripe cantaloupe. It was my own fault, I ain't blaming no one. But no one should say, 'well, ol' Melvin never knew what hit him.' I knew all right, and it hurt like hell."

Melvin's report to the heavenly authorities, carried on a number of special access celestial blogs, apparently contradicts the time-honored notion that many people involved in sudden, catastrophic events blissfully enter the afterlife without an awareness of the violence being wracked upon their mortal frame. Not so, says Melvin.

"I've already met a bunch of other people up here who also knew exactly what hit them. Bomb blasts, hunting accidents, volcanic eruptions. I even heard from one guy smashed by a falling wheelbarrow. It don't take long to figure out what's happening, just a milisecond, actually. But that's enough.”

In the end, Melvin sounded an eternally philosophical note. “None of it is pretty, man, but it's real. We got to face up to that. The truth ain't gonna hurt nobody. Well, actually it might, but not as much as that bus."

Hadleyblogger Mary contributed to this report.

Happy Birthday, Number 6

Posted by febry on 7:42 PM

By Mitchell

It's the 79th birthday today of Patrick McGoohan, star of one of the greatest TV series of all time, The Prisoner. We really should spend time talking about this someday, this allegorical series that more than any other demonstrates the glory of the human individual against all efforts of "the system," whatever that might happen to represent. It should come as no surprise that McGoohan and the series have been longtime favorites of ours.

But in the meantime, suffice it to say that, without any previous knowledge of the significance of this date, we spent this evening's DVD Theatre watching the 17th and final episode of The Prisoner (plus some assorted bonus features), bringing to an end our most recent Monday night tradition. Imagine our surprise then, upon looking up some minute detail of the series, to discover that it was McGoohan's birthday. Conspiracy aficionados would want to make something of it. We prefer to think of it as kismet.

At any rate, many happy returns (coincidentally, the title of episode number 7 of the series, which is also one number more than six) to a terrific actor whose work - Ice Station Zebra, Bravehart, three memorable appearances on Columbo, and many others - should be constantly appreciated. If you've not seen him lately, check him out here, and appreciate him in his own time.

Wish I'd Written That...

Posted by febry on 4:38 AM

By Judith

"If [Theodore] Dreiser was a genius, as so many critics of the twenties and thirties devoutly believed, then he was an idoit savant, capable of creating unforgettable characters on paper but devoid of any other gift save an uncanny knack for persuading women to have sex with him. Even the staunchest of his supporters would be reduced to despair by the impenetrable stupidity with which he dabbled in the great political issues of his time. Mencken spoke of his 'insatiable appetite for the not true,' while a more recent critic, who praised him as 'America's greatest novelist,' went on to describe him as a 'bore, crank, celery-juice drinker, and member of the select company of morons who believed that Franklin Delano Roosevelt was part Jewish,' an indictment that would be funnier were it even slightly exaggerated. Ultimately his passion for politics killed his art stone dead. He spent the last twenty years of his life snuffling out causes like a truffle-hunting pig, and never wrote another readable word."

Terry Teachout, The Skeptic: A Life of H.L. Mencken

Around the Web

Posted by febry on 9:54 AM

By Drew

Over at 2Blowhards, Michael (who so coureously links to our blog) has another good post, this time on Leni Riefenstahl. You'll recall that we blogged about her last year. Be sure to not only read the piece, but also the fine comments (including one by yours truly).

Mitchell tells me he thinks 2Blowhards was the first non-Catholic blog they linked to when they started Our Word, and I can see why. Consistently informative, eclectic, and fun. In other words, a perfect fit for us. Be sure and check it out!

The Stupdity of the Mega Millions Jackpot

Posted by febry on 4:16 AM

By Bobby

The lure of "lotteries for education" under the Zell Miller Education Planin Georgia has pushed North Carolina, South Carolina, Tennessee, and Oklahoma into implementing state-run "education lotteries" in the past ten years. Unfortunately, people do not understand the stupidity of the lure of Mega Millions or Powerball, the other major multiple state lottery game, now run in a majority of states of the Union.

Seven years ago, when I began to take control of my investments through advice learned from The Motley Fool by deciding to participate in Dividend Reinvestment Plans, I learned the dollars dropped into a DRIP program would cash more than money placed in a state lottery.

People should understand that instead of spending ten or twenty dollars persession on the false hope of winning the multiple-state lotteries, the two big-money multiple-state lotteries, the twenty to forty dollars could be held in savings, and keeping the savings to the point you can invest up to fifty dollars in a strong stock, mutual fund, or index fund. Many well-managed firms such as SCANA, Duke Energy, and Lowe's (I own all three) offer Dividend Reinvestment Programs which allow you to spend as little as $25 (that's probably one to three cycles of lottery drawings) per payment,and others such as Exxon Mobil $50 (two to six cycles of lottery drawings) to participate in the programs, once you purchase your first share through programs where you buy your first share directly from another person through a program similar to First Share. (If you do not own the shares required, you may also spend $250 to participate in the program without buying shares from another party.)

When you consider the money wasted in the big lottery drawings by the millions of losers who do not make it rich, and you avoid them by pouring your cash into stocks you study, you will be guaranteed winners by studying the stocks and their industries. Ten dollars in a well-performing stock or mutual fund (even if that is just a fraction of a share) will beat even one dollar in the false hopes any day.

Once the big lottery dream fades away, and someone has won the money, the millions of losers will be beating themselves for the money that ran away from them. But those who poured their $10 and $20 bills instead into buying stocks will be rewarded with investments which will last the test of time, and will be paying themselves every quarter.

The investing money will pay dividends which can be reinvested long after the wasted dollars of an euphoric mega-jackpot lottery are gone.

This Just In

Posted by febry on 1:00 PM

By Steve

Breaking News

Al-Qaida Leader Confess to 9/11, Beheadings, and A Few Thousand Other Acts of Terror

(WASHINGTON) — In a military hearing held last Saturday at Guantanamo Bay, Cuba, Khalid Sheikh Mohammed confessed to planning and helping to carry out a far-ranging list of dozens of terror attacks, including the 9/11 suicide hijackings in New York that took the lives of more than 3,000 people. He also said he personally beheaded American journalist Daniel Pearl, shot a Marine in Kuwait, and devised other plans to destroy the Empire State Building, the Sears Tower in Chicago, and the Golden Gate Bridge.

The 26-page transcript of the confession, released by the Pentagon yesterday, also revealed that Mohammed claims to have been behind the kidnapping of the Lindbergh baby, the murder of Nicole Simpson, the crash of the Hindenburg, the sinking of the Luisitania, and the collapse of the Chicago Cubs in the 2003 National League Championship Series.

"I was not, however, in Dallas in November 1963 and had nothing to do with the Kennedy assassination," he is quoted as saying. "Those who claim to have pictures of me on the grassy knoll are merely trouble-making infidels."

This Just In

Posted by febry on 7:14 AM

By Steve

Denny Hecker Named Minnesota "Czar"

(Inver Grove Heights, MN)--In a stunning but not totally unexpected move, local car dealer and uber-businessman Denny Hecker has officially been named "Czar of the State of Minnesota" by Governor Tim Pawlenty and the Minnesota legislature.

"This is something that would have happened eventually," said Pawlenty, "so we decided to just move ahead and finalize it. There are some forces that are just too big to stop."

Hecker's expanding business presence now includes real estate, mortgage companies, life and property insurance and financial services. A line of Hecker "one-stop life stations," including birth centers, grocery stores, funeral homes and crematoriums is also being planned. In addition, The Wall Street Journal reports that Hecker is in negotiations to buy every major professional sports team in the state, including the Twins and Vikings. Hecker's press secretary would neither confirm nor deny those reports.

"Look, there are worse people we could have given this power to," said Pawlenty, speaking at an official coronation gathering at Hecker's palatial home in Inver Grove Heights. "We see Denny every day, on billboards, the sides of buses, in TV ads. His bland, white, nondescript face has a definite Minnesota feel to it. We know Denny. And he knows us. He knows our needs. He will take care of us."

In the first official act of his reign as "Minnesota Czar," Hecker announced on his talk-radio program that Minneapolis and St. Paul will now officially merge into one large, centrally governed entity that will be officially known as Heckersville.

Wish I'd Written That...

Posted by febry on 6:57 PM

By Mitchell

What They Don't Want You to Learn from Evelyn Waugh

"Art," the only aim of which is to annoy and upset its audience, isn't really art.

Elizabeth Kantor, The Politically Incorrect Guide to English and American Literature

NICOLE KIDMAN

Posted by febry on 12:28 AM

NICOLE KIDMAN
Quite....

Shades of Nicole

Pleasing to the EYE

Awsome

Spicy


Attractive


Gorgeous


Graceful


Fantastic Look


Beautiful


Passionate


Shadow of NICOLE


Modish

Smart
Great SMILE!..

Stylish Nicole

Awsome Gorgeous

Sensational

Beautiful

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